Your selections:
"Nostalgia for Eden": Joseph Kosinski's Oblivion, an apocalyptic genesis
Free Willy: the whale-watching legacy
- Wearing, Stephen, Buchmann, Anne, Jobberns, Chantelle
Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking
Designing the Song and Dance Sequences: Exploring Bollywood’s Cinematic Creativity
- Kishore, Vikrant, Kerrigan, Susan
Accommodating creative documentary practice within a revised systems model of creativity
- Brennan, Stacey, Rosenberger III, Philip J., Hementera, Veronica
Making film and television histories: Australia and New Zealand
- Bennett, James E., Beirne, Rebecca
- Macallan, Helen, Goodall, Jane
- Wing-Fai, Leung, Gill, Rosalind, Randle, Keith
Introduction
- Bennett, James, May, Josephine
On slippery ground: Robert Altman, beyond Hollywood or modernism
Starch-based films: major factors affecting their properties
- Thakur, Rahul, Pristijono, Penta, Scarlett, Christopher J., Bowyer, Michael, Singh, S. P., Vuong, Quan V.
Difficult relations: film studies and continental European philosophy
Subjects, images, voices: representations of gender in the films of Timothy Asch
- Connor, Linda H., Asch, Patsy
Reel schools: schooling and the nation in Australian cinema
The value of film school in the success of female filmmakers in Australia
- Davis, Charles H., Michelle, Carolyn, Hardy, Ann, Hight, Craig
"Australia. What fresh hell is this?": conceptualizing the Australian Western in 'The Proposition'
Examining creativity and cultural production: screen based media and the current research into creativity
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